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TRUTH B2031
Aktiver 2-Wege Referenz-Studiomonitor

Discontinued Product

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Product Features:

  • Ultra-linearer Frequenzgang von 50 Hz bis 21 kHz
  • 2 eingebaute Hochleistungsendstufen mit 150 bzw. 75 Watt und enormen Leistungsreserven
  • Extrem hochauflösender Hochtöner mit ferrofluidgekühlter Membran
  • Langhubiger 8,75"-Basslautsprecher mit spezieller Polycarbonat-Membran und stabilem Aludruckguss-Chassis
  • Kontrolliertes Abstrahlverhalten durch phasenoptimierte Waveguide-Technologie
  • Extrem großer “Sweet Spot” durch vertikal und horizontal homogenes Abstrahlverhalten
  • Aktive Frequenzweiche mit Linkwitz-Riley-Filtern vierter Ordnung
  • Flexible Anpassung an die Raumakustik, inklusive Subwoofer-Betrieb
  • Überlastschutz durch separat gesteuerten Limiter für Bässe und Höhen
  • Automatische Standby-Betriebsart
  • Elektromagnetische Abschirmung gewährleistet minimale Einstreuungen
  • Lieferung als abgeglichenes Paar mit beiliegendem Messprotokoll
  • Vibrationsarmes E1-MDF-Gehäuse
  • Servo-symmetrierte Eingänge als XLR- und Klinkenbuchsen
  • Hochwertige Bauteile und eine extrem robuste Konstruktion garantieren lange Lebensdauer
  • Entwickelt von BEHRINGER Deutschland

Give Me the TRUTH

Our B2031 has become a favorite among musicians and engineers the world over for every imaginable application. Its neutral sound and extremely linear frequency response, optimized via manual trimming, assist you in getting the most out of your sounds, whether you’re recording, sampling, mixing or mastering. The low- and high-frequency amplifiers deliver plenty of power for the specially developed heavy-duty 8 3 /4 " polycarbonate woofer and ferrofluid-cooled HF driver. The unique wave guide developed by our CAD engineers delivers absolutely linear phase response and optimal stereo imaging, giving the TRUTH monitor an unusually large sweet spot.
Adjustable low-frequency roll-off, high-frequency adaptation and a four-way room compensation allow optimal adaptation to any listening situation. Selectable power mode, high- and low-frequency mute functions, balanced XLR and 1 /4 " connectors, power and clip indicators, full electromagnetic shielding and a sturdy, low-vibration MDF enclosure round out this professional and unusually flexible monitor system.
* Please see warranty page for full details.

Reviews from the Press
May 2001
AudioTechnology

"The BEHRINGER TRUTH B2031s follow in this grand tradition of the active monitor. They certainly grabbed my attention from first listen and continued to impress after countless listening sessions and mixes. At their current price-pint the B2031s will certainly keep the competition honest - as well as leaving many similarly priced passive/external amplifier combinations sounding somewhat lifeless."

July 2002
EQ Magazine

“Bottom line: Although it takes some work to get a deep, open sound, you can get some smokin' mixes out of these boxes. For broadcast and post work, these monitors shined: I boosted the bass enough to be audible even on two-inch TV speakers, while also being cautious to leave enough space around elements in the mix so that the important elements came across--no matter where I played back the mix. I'm not convinced about using the 2031's for theatrical releases, but voiceovers came out especially fine. The characteristics of the Behringers mean you'll end up with the perfect boom in announcers' voices, and your mixes will survive ridiculous broadcast chain compression well. For music work, you'll end up with very radio-friendly mixes.
If you plan to do lots of dense layering and delicate level balancing, you'll have to work a little harder with the Truths. But the overall performance is solid, especially in light of their low price. Although I was left wanting a subwoofer and a bit less high-end sensitivity, there are situations where the Truths really come through. They're easy to set up, especially with all the flexible adjustments for response and placement, and their ability to translate is a big plus."

September 2001
Future Music

“The B2031’s bass response is quoted as going down to 50Hz. The bottom end sound is certainly solid and punchy enough for reliable judgement when it comes to making decisions on kick drums and basslines. The overall feeling is that in a studio context these monitors, once you get to know them, will be reliable workhorses for tracking and mixing."

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